Nothing is Lost in Translation

Do you remember the scene from Sofia Coppola’s 2003 movie Lost in Translation when Bill Murray’s character Bob is filming a TV commercial for Suntory whiskey in Japan?
“[after a long speech in Japanese by the director]
Ms. Kawasaki: He want you to turn and look in camera. Okay?
Bob (played by Bill Murray): Is that all he said?”

I thought about that moment this week as members of my photography group, the Bay Area Photographers Collective (BAPC), were preparing to host a joint exhibition in March with Samurai Foto of Yokohama, Japan. Would we need to minimize cultural or language barriers? Unworldly me conjured thoughts of food, whiskey and music — not unlike the movie.  

How did our photo groups hook up? No, it wasn’t on social media. Various members of each group met at Photolucida in Portland, Oregon, in 2017, and the idea of joint exhibitions quickly gained steam. Samurai Foto invited us to participate in a Yokohama exhibition called Beautiful Bridge in 2018, shortly before I joined BAPC. We’re thrilled to reciprocate. 

The natural bridge between our photography groups, of course, is thematic and primarily nonverbal. Kudos to our curator, Trisha Lagaso Goldberg, for suggesting a thought-provoking theme called Memento Mori, Memento Vivere (remember you must die, remember you must live) featuring the work of 22 BAPC and 10 Samurai Foto artists. 

Our new show opens March 9th at the lovely Marin Art and Garden Center in Ross, CA. Please join me at the opening reception on Sunday, March 10th, from 1-3:30p. My mother-in-law, in particular, will be thrilled to see our planned Ikebana demonstration. 

The exhibition runs through April 21st. I’m participating in a Meet the Artist event there on Sunday, March 24, 1-4 pm along with my BAPC colleagues Cindy Stokes, Chris Stevens-Yu, Ari Salomon, Ingo Bork, Mitch Nelles and John Martin.

I’ll have two images in the show: Rock/Vehicle and Valley/Building from my recent series Unnatural World, exploring the disharmony between nature/man. I’ve seen much of the work that will be on display and urge you not to miss it. Nothing will be lost in translation.

What's Clicking in 2023?

Viva Cinco de Mayo! It’s tiempo de fiesta in San Francisco’s Mission District, especially on a Friday. The fireworks commence at dusk. [Note, this post is updated over the course of the year.]

Here we’ll light a virtual sparkler to celebrate the inclusion of various images from my latest series The Unnatural World in exhibitions highlighting the environment. The series, which debuted earlier this year, explores the clash of scenic beauty and the human expressions that impede, deface, degrade, and obscure our environment. 

Who doesn’t feel a sense of frustration about how man undermines the environment? This work is my way of drawing attention to this destructive behavior. Here’s where to see these images in the wild (so to speak):

• In mid-December, my image Valley/Burn will appear in the online gallery of the 2023 International Juried Competition by the Center for Photographic Arts in Carmel, CA. I am a member of the CfPA and send hearty thanks to the juror, Shana Lopes, Assistant Curator of the San Francisco Museum of Modern Art, and the Center’s Executive Director, Ann Jastrab.

• In mid-November, my image Island/Tunnel, also from the Unnatural World series, will be displayed at Galerie XII in the Bergamot Station Arts Center in Santa Monica, CA. The image was named a finalist in FOCUS Photo l.a.’s Summer 2023 exhibition. I was previously a finalist in 2020. Thanks to the jurors, Valérie-Anne Giscard d’Estaing (owner of Galerie XII); Eve Schillo, Associate Curator, Wallis Annenberg Photography Department, Los Angeles County Museum of Art (LACMA)

• In late September, my image Valley/Burn will appear in The de Young Open 2023 in San Francisco’s de Young Museum. This is a salon-style exhibition featuring work from artists across nine Bay Area counties. Kudos to the museum for promoting local art, and a giant thank you to the curators who selected my image. The exhibition runs from Sept. 30th to Jan. 7th. Pics to follow.

• In mid-September, my photo group, the Bay Area Photographers Collective, held our 23rd annual group exhibition. Uncanny Beauty, curated by Emmanuelle Namont, from Sept. 14th to Oct. 21st at San Francisco’s Harvey Milk Photo Center. Two images from my Unnatural World series, Valley/Burn and Lake/Window, shot in the Sierras last October, will be on display. Hope to see you at the Opening Reception on Sept. 14th, 5- 8 p.m., or on one of our Meet the Artist Saturdays.

• In August, the image Blaze from the series Re-envisioning, will appear in a group show called The Photo Review: Best of Show 2023 at the Woodmere Art Museum in Philadelphia. The urban portrait was awarded a fourth-place prize by the juror Deborah Willis, Ph.D., University Professor and Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University. The exhibition will present the work of the 15 prizewinners of the 2023 International Photography Competition organized by the Photo Review. It is my second image to run in the Photo Review - the first ran in 2018. Blaze will appear in a fall edition of the magazine.

• In July, the image Valley/Building shot just outside of Death Valley, will appear in a show called, aptly, Environment at the Glasgow Gallery of Photography in Scotland. Death Valley is otherworldly, of course, and every time I see a sci-fi set in space, I assume it was filmed there. 

• In June, Valley/Burn will appear in a show called Landscape Perspectives at Gallery 1137 in Art Works Downtown in San Rafael, California. The group show was juried by gallerist Kim Eagles-Smith. Please join me at the opening on June 9th, 5-8 p.m.

• In May, Valley/Burn was juried into an online show called In Sight at the O’Hanlon Center for the Arts in Mill Valley, CA. The exhibition was curated by Shana Lopes, Assistant Curator of Photography at the S.F. Museum of Modern Art.

• This year kicked off with my Yosemite Valley image called Valley/Burn, juried by Aline Smithson into The Artist Intervenes in Praxis Gallery in Minneapolis. The main image was shot last fall during an epic hike to a scenic overlook. Little known fact: Cameras provide a great excuse to catch your breath.

• Last fall, an image (now-called) Hills/Graffiti was juried by Elizabeth Cheng Grist into “(Un)Natural Cycles: Air, Water, Land,” at the Center for Fine Art Photography in Fort Collins, Colorado. The main image was shot in Iceland last summer.  

Valley/Building, shot outside of Death Valley, from my series The Unnatural World, will appear in an exhibition about the Environment in Glasgow, Scotland in June.